1. Notes: 1314 / 9 hours ago  from feminismandhappiness (originally from sokalkyle)
    "The first people a dictator puts in jail after a coup are the writers, the teachers, the librarians — because these people are dangerous. They have enough vocabulary to recognize injustice and to speak out loudly about it. Let us have the courage to go on being dangerous people."
  2. Notes: 502 / 9 hours ago  from likeafieldmouse

    likeafieldmouse:

    Elena Chernyshova - Awaiting Movement 

  3. Notes: 824 / 9 hours ago  from darksilenceinsuburbia (originally from violentwavesofemotion)
    "I have faith in nights."
    - Rainer Maria Rilke, from You Darkness, That I Come From (via violentwavesofemotion)
  4. Notes: 1565 / 1 day ago  from heitormagno (originally from untrustyou)
    untrustyou:

Heitor Magno
     
  5. Notes: 1543 / 1 day ago  from heitormagno (originally from slowartday)
  6. Notes: 451 / 1 day ago  from heitormagno (originally from leslieseuffert)
  7. Notes: 680 / 1 day ago  from likeafieldmouse

    likeafieldmouse:

    Luke Dowd

    1. Color Chart

    2. Chamberlain One

    3. Drawing

    4. Floor

    5. Unfolded Moon

    6. Gray Window

    7. Chamberlain Two

    8. Black & White Screen

  8. Notes: 1224 / 1 day ago  from darksilenceinsuburbia (originally from artchipel)

    artchipel:

    Art Writer’s Wednesday 25 - Artist on Tumblr

    Hiki Komori | on Tumblr (b.1979, France)

    Hikikomori, literally “pulling inward”, is a Japanese term to refer to the phenomenon of reclusive individuals who withdraw from society, seeking extreme degrees of isolation. French artist taking the name of Hiki Komori combines human faces and bodies with architecture or natural elements, offering a series of exquisite and enigmatic portraits. Capturing the essence of the chosen solitude, these double exposure portraits invite viewers to the introspection. Intrigued by the person behind these powerful images, Artchipel invites Hiki Komori to speak about his personal story, creative process and his perspective on solitude.

    Artchipel: Who is Hiki Komori? Tell us a bit more about your personal and educational background.
    Hiki Komori: I always being fascinated by the collage. My mother used to make some as sketch for her painting. When I was ten, my grandmother bought me a comic book illustrated by Dave Mckean, “Arkham Asylum”. It was a revelation. I started to draw, but it was awful (laugh), so I turn into photography. I tried different mediums, from orthochromatic to Polaroid, and discovered Photoshop. I was doing my first collage, playing with layers, trying my best to “pull out what was in my head”.

    Beside, I grew up with Mckean, a real inspiration, and other artists such as Bill Sienkiewicz, Ashley Wood. I’m also introduced to some great photographers thanks to a friend with a great art and cultural baggage: Joel Peter Witkin, Jan Saudek, David Nebreda and finally Mark Weaver. If he is reading this right now, I wish him to know how grateful I am.

    A: How has the double exposure photography initially captured your attention?
    HK: I used to make some as @pixtagram, with a series called “ghosts”. I wanted it to be simple, so I started shooting subject with an app called “true HDR”, that wasn’t really made for that kind of treatments. The principle was simple: shooting two pictures, one with the subject, and one without, and mix them. Here’s an example (view image) that was my first experiment with double exposure.

    Later I tried different techniques. Finally I combined both collage and double exposure, which gave a satisfying result. But something happened and I stop creating for almost a year…

    A: You use a mixture of human portraits and architecture or natural elements to create magical compositions. Can you give us a general overview of your work and share with us your creative process?
    HK: I wanted something that expresses “the world in my head”. I first started to watch over the web for similar artistry and have discovered Dan Mountford (cf. Tumblr | previous posts on Artchipel). I fell for it and totally assume that my work is inspired directly from his. But spontaneously, that’s what was coming out from me.

    I have a huge stock of industrial landscapes, structural shapes and trees photos. I just shoot portraits and try different combinations until I get a good result. I switch it to black and white with high level contrasts than colorize them to add a twist to vintage style.

    A: Your images stand out for their soft aged appearance and the emotion that evokes. What themes do you pursue?
    HK: Loneliness. There is a world around me and a world inside me. I’m trying to pull the world out of my head. And to forget… or to forgive.

    A: Where do you find your image resources for your work? Are some of them personally connected to you?
    HK: Most of them are self-portraits. But recently, I also shoot other subjects. All of them are connected to me. They are my family, friends or people who made me feel something through their works.

    A: Do you have special rituals to get into creating mood?
    HK: Alone at night, drunk most of the time (shame on me).
     
    A: How do you use social medias such as Tumblr and Instagram as an artist?
    HK: Social medias help me to enhance my visibility and to get some feedback about my works. I also met people I envision to work with. I recently contact other instagrammers to collaborate. Some answers and other don’t. Wait and see.

    A: Do you seek out times for solitude for yourself? What does that mean for you?
    HK: Yes I am. This is a space between me and other, a space where I can’t hurt nobody, and no one can hurt me. I’m sociable and like others’ company, but I also appreciate when I return to my solitude. It’s like if you’re listening to some awesome and powerful music. When it stops, you really enjoy the quiet and calm silence.

    Thanks Hiki Komori for taking time out to answer these questions. Hiki Komori can be found with updated posts on his Instagram and Tumblr. © All images courtesy the artist

    [more Hiki Komori | Art Writer’s Wednesday with Artchipel]

  9. Notes: 468 / 1 day ago  from darksilenceinsuburbia (originally from designboom)

    designboom:

    marc khachfe composes intricate nighttime images from space
    all images courtesy of marc khachfe

    shown: london, hamburg, fort worth, cleveland

    see maps of las vegas, chicago, san francisco, paris, montreal, helsinki, and rio de janiero here

  10. Notes: 1417 / 2 days ago  from likeafieldmouse

    likeafieldmouse:

    Philippe Parreno - Anywhere, Anywhere Out of the World (2013-14)

  11. Notes: 52660 / 2 days ago  from why-the-caged-bird-sings (originally from r2--d2)

    (Source: R2--D2)

     
  12. Notes: 124662 / 2 days ago  from wilwheaton (originally from wallflowerbloom)

    as-cool-as-an-attempted-suicide:

    wallflowerbloom:

    No matter what anybody tells you, words and ideas can change the world.

    We don’t read and write poetry because it’s cute. We read and write poetry because we are members of the human race. And the human race is filled with passion. And medicine, law, business, engineering, these are noble pursuits and necessary to sustain life. But poetry, beauty, romance, love, these are what we stay alive for.

    (Dead Poets Society, 1989)

    Me
  13. Notes: 612 / 2 days ago  from likeafieldmouse
  14. Notes: 1217 / 2 days ago  from likeafieldmouse

    likeafieldmouse:

    David Altmejd - The Center (2008)

  15. Notes: 751 / 2 days ago  from likeafieldmouse

    likeafieldmouse:

    Victoria Lin

    1. Self-portrait

    2. He Did Not Know He Was Dead, Then

    3. Wine and Sulfur 

avatar_128
 
 
A house of leaves

moments before the wind.
 
 

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