Anja Schwörer - Untitled, 2004, bleach on cotton, 190 x 145 cm
ART CONNECTÉ 2 | VISIONS {TRANS}FORMÉES
Phédia Mazuc | on Tumblr (France)
Les récentes visions de Phedia Mazuc ne dépareillent pas dans son univers si particulier. Pourtant, elle s’ouvre à la couleur pour la première fois, part à sa rencontre, la code puis la moud, réduite à des pixels monochromes avant qu’elle ne s’épanouisse pleinement et prenne tout l’espace dans notre regard.
VENEZ DÉCOUVRIR LES ARTISTES CONNECTÉS CE SOIR À 19H30
SHAG galerie - 26 rue Mahias 92100 Boulogne - RSVP[more Phédia Mazuc]
Red morning light, Mixed Media, 33x46 in
Hiroshi Sugimoto - Revolution, 1990 | More posts
Click on each image for details.
“The point of departure for Revolution is a nocturnal seascape. A 90° clockwise rotation turns the horizons into vertical lines, dissipating the romantic image of the night. Without changing the pictures’ material substance or subject, any obvious connotations are masked, their certainties denied by the transformation. At the same time, highly original abstract configurations emerge in their place. But it is finally the presence of the aesthetic which Sugimoto so forcefully brings to light in his new work. The process derives from conventional puzzles, but reveals in this case no new narrative moments, leading instead to hermetic compositions reminiscent of the work of American painters such as Barnett Newman.” [Museum Brandhorst]
- l’offrande
- the heart of the forest
Boschel Geneviève
Sam Llewellyn-Jones. Entropy. Breaking a Tile # 6, 2013. Photogram, 24.2 x 30.5 cm.
“Pounce?”
“It’s to remind me to be more aggressive.”
Frances Seward - Abstract Landscapes
Zao Wou-Ki, 21-1-85, 1985
Zao Wou-Ki, 18-12-69, 1969
Matthew Stone . Unconditional Commitment to Sacred Love.
Indigo Myths, 2012.
You Don’t Have to Bend the Whole World, 2012.
Energetic Level, 2012.
Ordinary Mistic State, 2012.
I always cry when I chop onions.
My mom and I left my dad when I was 8. When I asked my dad how much he loved me he would always say “as much as all the onions in the world. Past, present, and future.”
I always cry when I chop onions.
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Day 5 of the International Story Day Campaign! http://kck.st/18a0dBO